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Faroese art is art by artists living in the Faroe Islands and art by Faroese nationals living abroad. In the Faroe Islands art is an important part of everyday life and in the public debate. It may be the special light in the Faroes which causes so many to express themselves in painting. The ever-changing Faroese weather and light provide opportunities for endless nuances, something which has fascinated both foreign and local artists over the years. However, the history of Faroese art is short, and can only be dated a couple of hundred years back. Lack of time, light and materiel may have caused the late appearance of painting. But despite this, the islands have a very active art scene. A great many of the Faroese artists of today resent being reminded of the fact that Faroese art is a comparatively recent phenomenon. They find such an observation annoying as regards their artistic work, and they claim that such a statement has no bearing whatsoever on them as artists as their frame of reference is both local and global.〔http://www.bryggenart.com/en/art_faroese.php〕 With the first Faroese painters the landscape became a national icon and it has remained the central topic in Faroese visual art. The grip that Faroese art, motifically speaking, takes on the Faroese landscape might seem to be a rather old fashioned approach to visual art. The interest in installations, minimalism and conceptual art, has so far not affected Faroese art much. The village by the ocean is probably the motif which has been repeated the most. Danish art critic Ole Nørlyng concludes that nature, the wild landscape, is the driving force behind Faroese artists.〔http://samvit.info/index.php/arts/faroese-art〕 but except for a close affinity with the landscape and culture of the Islands, there has always been great diversity in Faroese art. == The pioneers == The first paintings art historians are familiar with are those by Díðrikur í Kárastovu. He was a farmer who commonly was known as Díðrikur á Skarvanesi (1802–1865). Díðrikur was settled in a small village, Skarvanes, on the island Sandoy. His subjects were real and imaginary birds in vivid colours. Although not in perfect condition, five of his paintings have been preserved. They are a feature in the permanent exhibition at the national Faroese art museum, Listasavn Føroya. One of his better paintings is entitled ''Moon Doves''. Niels Kruse (1871–1951) was the first Faroese landscape painter, a theme which was to become a most common motif in Faroese art. Kruse lived in the village Eiði on the island Eysturoy. Kruse was almost completely self-taught. He was fortunate enough to receive some help and advice from an American explorer, Elizabeth Taylor, who stayed in the Faroes in 1895. In 1924 one of his works was accepted by a gallery in Denmark. This marked a turning point in Faroese art history, as this was the first time ever a painter had succeeded outside of the Islands. Kruse even managed to make a living from his painting, again something which earlier had been unheard of. There were some other painters from this early generation. Both Kristin í Geil and Jógvan Waagstein are worth mentioning. Both of them were well settled in Tórshavn. And again, these two were self-taught landscape painters. As was the case with Kruse, Waagstein received knowledge and advice from Elizabeth Taylor. Later on í Geil received some schooling from Kruse. These two latter, however, never made their living exclusively from painting. These painters were all pioneers in the field of visual art in the Faroes, and they helped to make their fellow countrymen aware of the art of painting. The late 19th century marks the beginning of a Faroese art tradition slowly developing for the first time. There are several reasons for this being so. The arrival of Elizabeth Taylor with her knowledge of art helped to inspired several to start painting. And most importantly the late 19th century sparked the beginning of the national movement. The national revival brought with it the love of the landscape - a brand new theme which was to become a national icon, more so than anywhere in visual art. The theme came to dominate all through the 20th century. With the first painters, the love and affection of the homeland was obvious, and still in the 21st Century the theme is being treated by a new generation of artists. However, several painters contributed to Faroese artists developing a passion for many different styles and subjects. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Faroese art」の詳細全文を読む スポンサード リンク
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